Showing posts with label CFP. Show all posts
Showing posts with label CFP. Show all posts

Monday, October 21, 2019

CFP for American Literature Association's Annual Conference


Hello children’s literature scholars!

We invite you to apply to Children’s Literature Society’s panel in the American Literature Association’s 31st annual conference in San Diego, CA. The conference is May 21-24, 2020, and abstracts or proposals are due January 10, 2020.

The theme is: Building New Worlds: Empathy and Expanding Moral Boundaries in American Children’s and Young Adult Literature. Below is the call for papers for the conference!



For several years Children’s Literature has been expanding its boundaries with stories that reflect the diversity of our nation (e.g., socio-economic, racial, ethnic, gender, and religious diversity), stories that engage previously marginalized multicultural historical perspectives and such critical concerns as the environmental crisis.

For example, Mango Moon by Diane De Anda tells the story of a young girl watching her father taken away by ICE and her attempt to find some sort of comfort with this devastating loss. This story—as well as a remarkable growing number of other narratives—appeals directly to the heart, to a moral vision that both illuminates and embraces the voice and plight of “the Other.” And at their core is empathy.

These narratives reflect the change in the construction of childhood we have seen for several decades from the Romantic Idealized Child, whose most identifiable trait was innocence and a need for protection from the harshness of the world, to an adultified construction of the child who can and must hear about these harsh realities. We are witnessing what can be termed a “new moral literature” in which moral boundaries are being stretched through powerful appeals to the heart and empathy, leading the child reader to a new world of understanding and compassion. The intention of this new moral literature is not to didactically affirm rules or prescribed behaviors, but to open the heart. Empathy/compassion is the central moral of these stories—the aim is to awaken the child reader to the humanity of others, to experience compassion—and to encourage through such awareness acts of graciousness.

Presentation topics may include: (1) Historically marginalized points of view—a “new historical world” that includes the genocidal realities of Native Americans, the trauma of slavery, the immigration crisis; (2) entering into the worlds of diverse communities: the poor and homeless; gender, racial diversity; being different/feeling different: body image, disabilities/mental health, queerness/transgender; (3) environmental concerns; and (4) pedagogical and theoretical issues: how might such stories affect the classroom? What do these stories tell us about the communication and effect of ethics/morals through narrative? 

Two panels will explore these new worlds that affirm, insist on our shared humanity by sharing stories of children caught in the sorrows of the present.

The conference is at Manchester Grand Hyatt, One Market Place, San Diego, California.

Please send abstracts or proposals (around 300 words) to Dorothy Clark: Dorothy.g.clark@csun.edu and include your academic rank and affiliation and AV requests in the email.

-SS

Thursday, October 12, 2017

CFP: 2018 Children's Literature Association Conference

2018 Children’s Literature Association 45th Annual Conference hosted by Texas State University
“Refreshing Waters/Turbulent Waters”

When: June 28th - 30th 2018
Where: San Antonio, Texas at the Sheraton Gunter Hotel
Deadline for Abstracts: Sunday, October 15th, 2017
How to apply: The ChLa Website

Keynote Speaker: Dr. Debbie Reese
Debbie Reese is a tribally enrolled member (citizen) of Nambe Pueblo, a federally recognized tribal nation in northern New Mexico. She holds a PhD in Education from the University of Illinois, and an MLIS from San Jose State. A former school teacher and assistant professor in American Indian Studies, she publishes American Indians in Children's Literature, a resource and review site focused on depictions of Native peoples in children's and young adult literature. Her articles and chapters in journals and books are used in Education, Library Science, and English courses in the US and Canada. 


Description: Water is central to children’s and young adult literature as motif and metaphor: In Pam Muñoz Ryan’s Esperanza Rising, two characters are in a relationship described as being separated by a wide, difficult-to-cross river; in The Lorax Dr. Seuss warns us to protect our environment by planting a truffula tree seed and enjoins us to “Give it clean water. And feed it clean air”; and the poetry of Langston Hughes uses water in its various forms to compare the complexities of race to a deep river, to characterize a lost dream as a “barren field frozen with snow,” and to call on us all to re-imagine and reclaim the American dream, saying that “We, the people, must redeem/ The land, the mines, the plants, the rivers.”

While proposals to present research on a wide variety of topics, genres, and periods related to children’s and young adult literature, texts, and culture are always welcome and encouraged at our annual conference, a common theme can be a useful tool for thinking through texts and approaches in innovative ways. Proposals to present your current, original scholarship can include but are not limited to some of the meanings and forms water can take in literature and culture for younger readers:

       Water as symbol, allegory, setting, and metaphor in works of children’s literature; Water as healing, flowing, still, eroding, dividing, connecting, drowning, saving, violent, shallow, transparent, muddy, calm, or turbulent
       Rivers, lakes, streams, oceans, ponds, clouds, rain, snow, mud, slush, fog, and ice in fiction and non-fiction, prose and poetry, cartoons and comics, historical fiction and science fiction, plays and films, toys and television programs, picture books and textbooks, etc. 
       The significance of water in specific cultures, communities, families, traditions
       Water and race; segregated drinking fountains and swimming pools; rivers as sites of travel, settlement, or colonization, of collaboration and contestation, of freedom and enslavement
       Water in indigenous cultures and literatures
       Oceans crossed, migrations, colonizations, the Middle Passage
       Access or lack of access to clean drinking water, water shortages, contested waters, water rights, water protectors, water and poverty, water as commodity, water as power
       Water and the environment, water pollution, environmental activism, climate change, rising waters, Standing Rock, Flint
       Water, spirituality, and religion; sacraments, blessings, and baptisms; water as sacred
       Animated, illustrated, photographed, filmed, or virtual waters
       Regional literature, the San Antonio and San Marcos Rivers, state and local cultures and histories, local indigenous literatures, San Antonio’s contested histories, Texas and/in children’s books 
       Water spaces and their social functions; waterways as hubs, connectors, or dividers
       Water symbols and metaphors in discussions about identities, sexualities, genders, ethnicities, races, abilities, sizes, and ages 
       Water as a life source and/or potential destroyer
       Water and play; water guns and water balloons; water’s role in childhood or its construction; sprinklers, waterparks, fire hydrants, and baths before bedtime
       Water as a weapon, water cannons and fire hoses
       Water creatures, real and/or mythic, animals anthropomorphized, water personified 
       Water as poetic inspiration; books as oases for readers; renewal and rebirth: personal, cultural, spiritual, and/or literary, including reboots in media and literature
       Water as social and political symbol, the tides of change, the rising flood
       Water and immigration, dislocation, refugees
       Interpreting real and fictional waters through various critical lenses: literary criticisms, queer theories, ecocritism, critical race theories, materialism, feminist theories, disability studies, etc. 

    Given that Texas State is the home of the Tomás Rivera Mexican-American Children’s Book Award, discussions of Tomás Rivera Book Award winners and honor books would also be welcomed (http://www.education.txstate.edu/ci/riverabookaward/); book awards generally; monolingual and bilingual works for children; translation of children’s literature

Thursday, January 5, 2017

CFP from Ithaca College & The Irish Society for the Study of Children's Literature Conference

Pippi to Ripley 4: Sex and Gender in Children’s Literature, Fantasy, Science Fiction, and Comics

Deadline: January 15, 2017

Location: Ithaca College, NY
Dates: April 21–22, 2017

Description: Pippi to Ripley 4 is an interdisciplinary conference with a focus on women and gender in imaginative fiction. We invite papers devoted to fictional characters in all media, including: comics, films, television, and video games as well as in folklore, mythology, and children's and young adult literature. This year’s conference includes a special focus on:

Fan Intersectionality: Race, Gender and Sexuality in Fan Communities

Keynote Speaker: SAMMUS performs her acclaimed nerdcore hip-hop and talks about race, geekdom, and feminism.

Special guest: Breakout YA author LJ Alonge, author of the graphic novel series Blacktop.

How to apply: Please send a 300–500-word abstract to Katharine Kettridge, Ithaca College, Department of English at kkittredge@ithaca.edu.

For more information: PDF

--- 

CFP—Betwixt and Between: Boundaries and Peripheries in Children’s Culture
Irish Society for the Study of Children’s Literature Conference 2017

Deadline: January 16, 2017

Location: Dublin City University, All Hallows Campus
Dates: April 28–29 2017

Description: Boundaries, both physical and abstract, abound in children’s literature, as factors including age, gender and class have infuenced, and continue to limit, texts provided for children, and how and where those texts are consumed. Critical debate about the content and purpose of books, films and other media productions for young readers is ongoing, as long-established links between socialisation and children’s literature are interrogated and re-imagined to reflect changing social conditions and moral codes. Although children’s literature has moved from the margins and is now an established field of academic study, peripheries, too, persist and proliferate. Translated texts, which cross linguistic boundaries, and those produced in minority languages, such as Irish, seldom receive extensive exposure or critical attention. With the advent of digital media, the printed book is itself becoming increasingly marginalised.
Proposals are invited on the overall theme and associated topics in the context of both Irish and international literature for children, and also in relation to print and other media.
Keynote Speaker: Emerita Professor Máire Messenger Davies

How to apply: Proposals of 300 words maximum should be sent to the conference co-organiser, Caoimhe Nic Lochlainn at caoimhe.niclochlainn@dcu.ie and be CC-ed to committee@gmail.com.

Subject line should read “ISSCL Proposal.”

For more information: http://crytc.uwinnipeg.ca/portal/node/1419

Friday, November 4, 2016

CFP from the American Literature Association!

Children’s Literature Society
American Literature Association

28th Annual Conference
May 25-28, 2017
The Westin Copley Place
10 Huntington Avenue
Boston, MA

PANEL ONE:
“The times they are a changin”: Exploring the Many Faceted Nature of Diversity in Children’s Literature. Children’s Literature has been in the forefront of privileging significant social and cultural concerns.  Over the past several decades, it has, in fact, been an ever expanding frontier  not only reflecting the changing demography of the United States—its growing diverse culture, but also confronting cultural and value issues that have emerged because of these changes.  Children’s stories have spoken with brilliant clarity about the historical issues of the African American, Hispanic, American Indian, and Asian American communities, among many.  Diversity also includes class, economics, gender/sexuality, and disability issues as reflected in Newbery Medal and Caldecott Honor awardee Last Stop on Market Street by Matt de la Peña and Christian Robinson and I am Jazz by Jessica Herthel and Jazz Jennings

This exciting and revolutionary new domain invites us to explore new areas of research that include also Americans as global citizens. A fluid, sometimes rapid evolution of discourse continues. Cultural and value issues are challenged by ever more empowered and activist people and groups, and these challenges bring into focus and relief the great diversity of Americans'' individual journeys.

This panel explores the multiple ways Children’s Literature is exploring these issues and opening new areas of discourse.

Please include academic rank and affiliation and AV requests.

Please send abstracts or proposals (around 300 words) by January 10, 2017 to Dorothy Clark (Dorothy.g.clark@csun.edu), Linda Salem (lsalem@mail.sdsu.edu)

PANEL TWO:
American Children’s Poetry and its Audiences. The Children’s Literature Society of the American Literature Association seeks abstracts for papers to be presented at the 28th Annual Conference of the American Literature Association in May 25-28, 2017 discussing any aspect of the audiences for children’s poetry. Poetry is the genre that has traditionally blurred the distinction between child and adult audiences. Many acclaimed poets for adults also write for young audiences, and young people perform poetry written for adult audiences, often responding to those poems by creating and performing poems of their own. At the same time, there are large numbers of educators as well as some poets who write exclusively for children who insist that poetry for children is and should be separate and distinct from poetry written for adults. Papers may explore American children’s poetry and its multiple audiences from or across periods of American literary history as well as poetry created by young people themselves.

Please include academic rank and affiliation and AV requests.


Please send abstracts or proposals (around 300 words) by January 10, 2017 to Richard Flynn (rflynn@georgiasouthern.edu), Dorothy Clark (Dorothy.g.clark@csun.edu), Linda Salem (lsalem@mail.sdsu.edu)