Showing posts with label ALA. Show all posts
Showing posts with label ALA. Show all posts

Saturday, November 16, 2013

3rd Panel for Children's Literature Society at the ALA Conference

Last week we listed the CFPs for two panels that the Children's Literature Society is holding at the American Literature Association's 25th Annual Conference. They now have a third panel as well, and are accepting proposal submissions for it:

Who: Children’s Literature Society
When: May 22-25, 2014
Where: Hyatt Regency Washington on Capitol Hill, Washington, D.C.
Submission Deadline: January 15, 2014

Panel # 3:   Saving the World: Girlhood and Evangelicalism in the Nineteenth Century
Childhood studies had been steadily growing as an important field in US nineteenth-century literature and culture, complicating our understanding of the boundary between adult and child and asking what happens when we foreground the child. Taking this as our starting point, we are interested in exploring how texts that are written for girls, or represent girls, participate in the work of reform through an evangelical agenda. More specifically, what kind of cultural work does this evangelical literature perform, through its representations of childhood, kinship structures, discipline, authority, education, race, and class?

Possible Topics:
Children’s series books
Anti-Catholicism
Treatments of evangelicalism
Post-bellum representations of the South and the plantation novel
Children’s abolitionist literature
Treatment of animals
Missionary work
Treatments of discipline
Representations of kinship relations
Education, The Common School Movement or the Home School Movement
The American Sunday School Movement
The American Tract Society

Possible Writers: Lydia Sigourney, Lydia Maria Child, Harriet Beecher Stowe, Maria Cummins, Elizabeth Stuart Phelps, Susan Warner, Annie Fellows Johnson, Martha Finley, and Louisa May Alcott.

Please send a 500-word abstract and brief CV to Robin Cadwallader (Rcadwallader@francis.edu) or Allison Giffen (Allison.giffen@wwu.edu).

Tuesday, January 29, 2013

ALA Youth Media Awards Results

In case you missed it, yesterday, the American Library Association held their Youth Media Awards in Seattle, WA to honor the outstanding books and other media for children to young adults. Yesterday's awards did no less then honor some of the most rewarding, creative, and engaging books and writers of the past year. Probably the most recognizable achievements include the Caldecott Medal (of course), in its 75th year of recognizing the most distinguished illustrator of picture, and the Newbery Award, going to the most acclaimed author of a children's book.

This year's Caldecott Award went to This is Not My Hat by Jon Klassen. Amazingly, he also won one of the five Caldecott honors for his work on Extra Yarn. That's pretty awesome, I think.

The Newbery went to The One and Only Ivan by Katherine Applegate. I've not read it, but when you read a tweet that a whole class of 5th graders hugged, screamed and raved in celebration over it, then you know it must be special.

I was personally very thrilled that Katherine Paterson won the Laura Ingalls Wilder Award for an author or illustrator whose books have made a lasting contribution to children's literature. Just hearing her name flipped me back to my far-too-long-ago grade school years and the whimsical imaginings of my very own Terabithia, and for that instant memory alone I was far from surprised that she would be honored with such an award.

To read the full list of awards, visit the ALA website here. It might help contribute to your GoodReads "Want to read" list. At the same time, it leads me to wonder what classifies these as the most distinguished of a year's worth of publications. How innovative is too innovative for example? I haven't reviewed enough YMA recipient lists to glean any possibility of trends but I'd love to hear your thoughts.

Monday, November 5, 2012

American Literature Association Call For Papers

Children’s Literature Society and the
African American Literature and Culture Society
American Literature Association
24th Annual Conference
May 23-26, 2013
Westin Copley Place
Boston, MA

Panel #1: African American Children’s Literature

The Children’s Literature Society and the African American Literature and Culture Society invite abstracts (of about 250 words) for a panel on African American children's literature. We welcome critical analysis and surveys about historical fiction, cultural stories of family, school stories, religious and spiritual stories, stories of fine arts and artists and performers, and stories of important political figures, and transcriptions of oral histories. This panel will contribute to the critical review and analysis of works of African American children's literature and will be an excellent and important contribution to the study of American children's literature.

Please include academic rank and affiliation and AV requests

Please send abstracts or proposals by Saturday, December 30, 2012 to Dorothy Clark (Dorothy.g.clark@csun.edu), Linda Salem (salem.sdsu@gmail.com), and Shirley Moody-Turner (scm18@psu.edu).


Panel #2: Monsters, Inc.
The Children’s Literature Society invites abstracts (of about 250 words) for a panel on Monsters, Inc.

The books Where the Wild Things Are (1963) by Maurice Sendak and The Wuggly Ump (1970) by Edward Gorey presented surreal monsters in stories with child characters. There’s a Nightmare in My Closet by Mercer Mayer in 1968 brought empathy to the monster book that worked on the side of the child reader to help them face fears that might not be as bad as they thought. This tone is alive today in films like Monsters, Inc in which the wild thing that shows up is a lovable monster called Sulley and the child in the room is the unafraid, sweet little girl named Boo who calls him “Kitty.” While Grimm’s fairy tales include protagonists who strive to outwit monsters and sometimes fail, in contemporary stories characters are more likely to solve problems or to grow up alongside their monstrous friends. And the genre of monster stories for children has expanded to include comic relief from fear for kids in books like James Howe’s books, Bunnicula (1979) and The Celery Stalks at Midnight (1984). R.L. Stine’s Goosebumps(1992- ) series are both humorous and horrific and in some cases the author offers readers a selection of endings for a story from which to choose. Today, films like Hotel Transylvania, Paranorman, and Frankenweenie combine traditional horror themes with humor and capitalize on the youth media entertainment market. Unsettling scary stories continue to be published by authors like Neil Gaiman, whose poetry, prose, and illustration are found in works like Coraline (2002), The Wolves in the Walls (2005), and The Graveyard Book (2008). Young adult fiction continues to trend to vampire, zombie, and witch tween and teen fiction.

What do these diverse instances of monstrosity and treatment of horror in youth media reveal to us about children’s and YA narratives as well as youth culture? The Children's Literature Society welcomes proposals of papers of literary research and analysis on the topic of monsters and horror in children's and young adult literature, youth media (film, TV, cartoons, video games), and youth culture.

Please include academic rank and affiliation and AV requests

Please send abstracts or proposals by Saturday, December 30, 2012 to Dorothy Clark
(Dorothy.g.clark@csun.edu ), Linda Salem (salem.sdsu@gmail.com)