Showing posts with label Doug Unplugged. Show all posts
Showing posts with label Doug Unplugged. Show all posts

Sunday, April 19, 2015

"Unplugging" Children from Learning

Dan Yaccarino’s Doug Unplugged is the story of a little boy robot who veers off track from his parents’ “plugged in” lifestyle in order to experience a new kind of learning based on experiences than facts.
The book begins with:
“This is Doug. He’s a robot.
Each morning his parents plug him in to fill him up with lots and lots of facts. They love their little robot and want him to be the smartest robot ever.”

In this story, Doug’s parents can be seen as a representation of the contemporary parents who emphasize the importance of education for the betterment of their child’s life. They show their affection for him by providing him with the opportunity to fill up with “lots and lots of facts.” They even tell him, “Happy downloading” as they go to work, leaving Doug at home to learn on his own by “plugging in.”

Yaccarino’s text reminds us of the state of the 21st century family in this technologically driven culture, where television, computer games, and phone apps dominate the free time of the young child and adolescent. Assuming the children’s TV programing they are exposed to is educational, it still requires the child to be able to absorb the lessons being talked about in an abstract manner and apply it in real world experiences.

Doug’s absorption based learning is interrupted by a pigeon that lands on the windowsill of his apartment that day. Doug recognizes that the bird is a pigeon, but “he didn’t know they made such a funny cooing sound!” Doug is intrigued by this new information that isn’t told to him but rather experienced by him personally. Preferring this method of learning, he leaves home and goes out into the city to learn in a different manner.



In this adventure, Doug encounters a little boy that asks him to play. Unfamiliar with the concept, Doug is intrigued by the simple child games of “hide-and-seek” and “tag” that are both socializing aspects of childhood, but also a great form of exercise!

Once Doug’s newfound friend returns to his parents, Doug likewise returns home to his own parents, only to return in the second Doug book: Doug Unplugs on the Farm

Doug and his parents are on their way to visit “the grandbots” when Dad tells everyone to “plug in” so they can learn about the country on their drive. Doug learns “bushels of facts about farm things,” like “a baby pig is called a piglet” and “horses can pull plows.” But once again Doug’s downloading is interrupted when a flock of sheep runs across the road and causes their car to fall into a ditch, but “worse—the whole family came unplugged!”

While the parents try and fail to pull the car back up from the ditch, Doug wanders and explores the surrounding area, helping a local farm girl do her chores. Like his first experience with unplugging, Doug is able to learn not just facts but sensations such as smelly pigs and bossy roosters.

This experiential and sensory type of learning appeals to Doug and at the end he chooses to stay unplugged. I applaud Yaccarino’s text not just for the message to children to live an unmediated life rather than plugging in, but also for his use of a young robot for his protagonist as a critique of the modern child. The pressures from parents and school officials on children to memorize and spit back out information like a computer forces children into this life as a robot. The fact that children appeal to his robotic nature shows the correlation of our own cybernetic nature.


I leave you with Yaccarino’s message on the end cover of Doug Unplugs at the Farm: “Have you unplugged?”

Wednesday, January 28, 2015

Lack of Science Fiction for Children: Failing to Imagine a Better Future

In a recent panel at the New York Public Library, an important question was asked: Where’s the science fiction for young readers?

Even today when one hears the term “science fiction,” the immediate titles that come to mind most often belong to the oeuvre of Jules Verne or H.G. Wells—the founding fathers of the science fiction genre. Many of the older SF writers are now celebrated for having the foresight of envisioning many of the technological advancements that now are a part of our daily lives. We belong to a time when the brightest minds of our time were able to create Siri, a “personal assistant” and “knowledge navigator,” who functions as a “human consciousness inhabiting [an] electronic [space], blurring the boundary between human and machine” (Cadora); but has our imagination and ability to envision the future stunted in comparison to the past?

In the wake of the moon landing and the Star Wars saga, there was an explosion of interest in the SF genre—as seen by the popularity of books like A Wrinkle in Time, Ender’s Game, The Hitchhiker’s Guide to the Galaxy, and The Giver—but the emergence of the Harry Potter series in the late 90’s changed the children’s publishing world forever. Following on its coattail came the Percy Jackson series and the Twilight saga. Fantasy suddenly became the most desired sub genre for young readers. 

Even the popular dystopian novels of today, which fall under combined category of science fiction/fantasy, have a distinct lack of science in them. Despite our futuristic world where we are slaves to our phones, people are turning away from the imagining and exploration of a future defined by “exploitive technologies” and “obeisance to authority” (Cadora). With constant criticism that social media and texting are taking away our ability to connect with each other on a personal level, one would think the fear of “social breakdowns caused by the alienation” of communicating with each other through machines would be a more enticing issue to readers (Crandall). Yet, readers are much more interested in patriarchal oppressed dystopian societies, and the popularity of the Hunger Games and Divergent series can attest to that.

Most books that are solely identified as SF are generally marketed towards adults. Even so, some YA novels, such as Cinder by Marissa Meyer and The Maze Runner by James Dashner, do try to incorporate the SF characteristics of technologically and scientifically advanced future societies into their stories for interested readers, but it is becoming increasingly difficult to distinguish the difference between fantasy and science fiction for YA.

As far as science fiction books for children, you can find pictures books like Doug Unplugged by Dan Yaccarino and Oh No!: Or How MyScience Project Destroyed the Whole World by Mac Barnett and Dan Santat. Then in middle grade you find select books such as When You Reach Me by Rebecca Stead and The Accelerati Triology by Neal Shusterman and Eric Elfman. But the issue remains they are few and far in between. So it begs the question: Is science fiction in children’s literature out of place because there are not enough interested readers? Or is it that publishers are choosing to place their focus elsewhere? I believe it is a disservice to young readers to not let them explore the fun side of science fiction. The writing of both Stead and Shusterman/Elfman are filled with so much heart and humor:


"...it's like they say, 'Keep your friend's clothes... in your enemy's closet.'" 
-Tesla's Attic (Accelerati, #1) 

This shift away from science fiction has me wondering: At what point did children turn away from imagining and exploring the possibilities of a technologically advanced future to yearning for a life of magic and monsters (of the mythical and human variety, but not machine)?




Scholarly Sources:

Cadora, Karen. "Feminist cyberpunk." Science fiction studies (1995): 357-372.

Crandall, Nadia. "Cyberfiction and the Gothic Novel." The Gothic in Children’s Literature: Haunting the Borders (2008): 39-56.