Showing posts with label children's literature association. Show all posts
Showing posts with label children's literature association. Show all posts

Thursday, October 12, 2017

CFP: 2018 Children's Literature Association Conference

2018 Children’s Literature Association 45th Annual Conference hosted by Texas State University
“Refreshing Waters/Turbulent Waters”

When: June 28th - 30th 2018
Where: San Antonio, Texas at the Sheraton Gunter Hotel
Deadline for Abstracts: Sunday, October 15th, 2017
How to apply: The ChLa Website

Keynote Speaker: Dr. Debbie Reese
Debbie Reese is a tribally enrolled member (citizen) of Nambe Pueblo, a federally recognized tribal nation in northern New Mexico. She holds a PhD in Education from the University of Illinois, and an MLIS from San Jose State. A former school teacher and assistant professor in American Indian Studies, she publishes American Indians in Children's Literature, a resource and review site focused on depictions of Native peoples in children's and young adult literature. Her articles and chapters in journals and books are used in Education, Library Science, and English courses in the US and Canada. 


Description: Water is central to children’s and young adult literature as motif and metaphor: In Pam Muñoz Ryan’s Esperanza Rising, two characters are in a relationship described as being separated by a wide, difficult-to-cross river; in The Lorax Dr. Seuss warns us to protect our environment by planting a truffula tree seed and enjoins us to “Give it clean water. And feed it clean air”; and the poetry of Langston Hughes uses water in its various forms to compare the complexities of race to a deep river, to characterize a lost dream as a “barren field frozen with snow,” and to call on us all to re-imagine and reclaim the American dream, saying that “We, the people, must redeem/ The land, the mines, the plants, the rivers.”

While proposals to present research on a wide variety of topics, genres, and periods related to children’s and young adult literature, texts, and culture are always welcome and encouraged at our annual conference, a common theme can be a useful tool for thinking through texts and approaches in innovative ways. Proposals to present your current, original scholarship can include but are not limited to some of the meanings and forms water can take in literature and culture for younger readers:

•       Water as symbol, allegory, setting, and metaphor in works of children’s literature; Water as healing, flowing, still, eroding, dividing, connecting, drowning, saving, violent, shallow, transparent, muddy, calm, or turbulent
•       Rivers, lakes, streams, oceans, ponds, clouds, rain, snow, mud, slush, fog, and ice in fiction and non-fiction, prose and poetry, cartoons and comics, historical fiction and science fiction, plays and films, toys and television programs, picture books and textbooks, etc. 
•       The significance of water in specific cultures, communities, families, traditions
•       Water and race; segregated drinking fountains and swimming pools; rivers as sites of travel, settlement, or colonization, of collaboration and contestation, of freedom and enslavement
•       Water in indigenous cultures and literatures
•       Oceans crossed, migrations, colonizations, the Middle Passage
•       Access or lack of access to clean drinking water, water shortages, contested waters, water rights, water protectors, water and poverty, water as commodity, water as power
•       Water and the environment, water pollution, environmental activism, climate change, rising waters, Standing Rock, Flint
•       Water, spirituality, and religion; sacraments, blessings, and baptisms; water as sacred
•       Animated, illustrated, photographed, filmed, or virtual waters
•       Regional literature, the San Antonio and San Marcos Rivers, state and local cultures and histories, local indigenous literatures, San Antonio’s contested histories, Texas and/in children’s books 
•       Water spaces and their social functions; waterways as hubs, connectors, or dividers
•       Water symbols and metaphors in discussions about identities, sexualities, genders, ethnicities, races, abilities, sizes, and ages 
•       Water as a life source and/or potential destroyer
•       Water and play; water guns and water balloons; water’s role in childhood or its construction; sprinklers, waterparks, fire hydrants, and baths before bedtime
•       Water as a weapon, water cannons and fire hoses
•       Water creatures, real and/or mythic, animals anthropomorphized, water personified 
•       Water as poetic inspiration; books as oases for readers; renewal and rebirth: personal, cultural, spiritual, and/or literary, including reboots in media and literature
•       Water as social and political symbol, the tides of change, the rising flood
•       Water and immigration, dislocation, refugees
•       Interpreting real and fictional waters through various critical lenses: literary criticisms, queer theories, ecocritism, critical race theories, materialism, feminist theories, disability studies, etc. 

•    Given that Texas State is the home of the Tomás Rivera Mexican-American Children’s Book Award, discussions of Tomás Rivera Book Award winners and honor books would also be welcomed (http://www.education.txstate.edu/ci/riverabookaward/); book awards generally; monolingual and bilingual works for children; translation of children’s literature

Thursday, April 7, 2016

2016 Children's Literature Conferences and Call for Papers

Welcome to another round of calls-for-papers and upcoming children’s literature conferences!

Somehow—if you remember our last CFP blogpost—this post once again falls on the last stretches of the semester, with finals week only 5 weeks away, and summer sunshine just on the other side of all of those responsibilities between now and then. But summer’s the perfect time to get out there with your ideas and proposals, and here are a few children’s literature prompts to help you.

Laura Ingalls Wilder: Critical Perspectives

Description:
“Editors seek essays that critically engage with Laura Ingalls Wilder’s life and works, including the Little House series, her journalism, her letters, and Pioneer Girl: The annotated Biography. We are interested in essays that consider Wilder’s relationship with the academy as well as her enduring place in American popular culture. We are especially interested in essays that consider Wilder’s place in the classroom, at the elementary level and also in university curricula.”

For a range of topics, visit the website below.

Deadline: April 15, 2016
Website: http://www.childlitassn.org/assets/docs/wilder%20cfp.pdf

Instructions:
  • Submit abstracts of 300–500 words along with a short CV to Miranda Green-Barteet (mgreenb6@uwo.ca ) and Anne Phillips (annek@ksu.edu) by the deadline.
  • Accepted essays will be due no later than September 1, 2016

The Child Before Adulthood, Midwest Modern Language Association
Dates: November 10­–13, 2016
Location: St. Louis, MO

Description:
“From the late Victorian period throughout the early decades of the twentieth century, Anglo-American children’s literature and young adult fiction experienced a sudden surge in popularity. While some sentimental or didactic North American literature reinforced obedience to parental and societal expectations, such as Susan Warner’s The Wide Wide World (1850) and Martha Finley’s popular Elsie Dinsmore series (1867-1905), other works explored the possibilities resulting from disobedient adolescence, such as Mark Twain’s Adventures of Huckleberry Finn (1885) and L.M. Montgomery’s Anne of Green Gablesseries (1908-1920). Meanwhile, British fantasy literature by authors such as George McDonald and E. Nesbit idealized the middle-class English child as subversive protagonist of the modern fairy story, supernaturally combating social ills and injustices existing in the adult system of legal justice, while at the same time testing and submitting to acceptable moral, social, and gender parameters. Such narratives, whether undercutting or reaffirming adult behavior, also establish childhood as a unique space of negotiation, perception, and decision occurring prior to adulthood.

This session invites proposals for individual papers on the societal pressures in children or young adult literature from this period that worked to shape and necessitate the embodiment of womanhood or manhood, queer or subversive resistance to conforming to idealized, or imperative notions of gender norms, the childish world conflicting with the public or adult sphere, rejection of female or male attire, duty, or performance, and spatial avoidance of the domestic sphere by means of nature or adventure.”

Deadline: April 30, 2016
Website: https://call-for-papers.sas.upenn.edu/node/66975

Instructions:
  • Send Abstracts no longer than 250 words to Lydia Craig at lcraig1@luc.edu

Youth Literature and Media
Organization: Midwest Popular and American Culture Association
Dates: October 6–9, 2016
Location: Chicago, IL, Hilton Rosemont Chicago O’Hare

Description:
“We are looking for proposals for arguably the hottest area in popular culture: Youth Literature and Media. Youth Culture is everywhere. From the rise of YA Lit to the fall of Facebook, twenty-five is the new eighteen. The Millennials are here. This area is for the study of Lit and Media for Youth (all three terms broadly conceived), representations of youth in Lit and Media, and youth as consumers and producers of Lit and Media.
We want to know all about the kids these days, from their classrooms to the parents’ basements, from S.E. Hinton to Luke Herzog, from the slew of really really rich youth who play videogames and apply make-up on YouTube to the tens of thousands more who mod everything from videogames to movies to Legos into their own Maker-inspired, bricolage cultural productions. Who are they, what are they reading and doing, why, and who cares? Pop Culture Studies is a multi-disciplinary endeavor, so bring us your close readings, your ethnographies, your visual analysis, and hard core stats: anything and everything as long as it’s about youth and popular culture!”
Deadline: April 30, 2016

Instructions:
  • Submit abstracts (up to 300 words) along with your name, affiliation, and email to the Youth Literature and Media area at http://submissions.mpcaaca.org (include whether or not you’ll need a projector)

Submit Essays or Writing on Gender and Literacy
Organization: Gender and Literacy Assembly: NCTE Gender Studies Assembly

Description:
“An NCTE affiliate, GALA is published every December and seeks submission on gender and K-12 education. Write about how you teach or address gender in the K–12 classroom; how boys and girls learn and more.”


Gothic Association of New Zealand (GANZA)’s third biennial conference: Gothic Afterlives: Mutations, Histories, and Returns’
Dates: January 23–24, 2017
Location: Auckland University of Technology, New Zealand

Description:
“GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the Association to not only place a focus on Australasian Gothic scholarship, but also to build international links with the wider Gothic community as a whole.
The conference invites abstracts for 20-minute presentations related to the theme of ‘Gothic Afterlives’.”
For a range of topics, please visit their site at: http://www.ganza.co.nz/conference
Contact Dr. Lorna Piatti-Farnell (lorna.piatti-farnell@aut.ac.nz ) and/or Dr. Erin Mercer (e.mercer@massey.ac.nz)
Deadline: August 1, 2016
Instructions:

  • Please email abstracts of 200 words to the conference organizers at: conference@ganza.co.nz
  • Abstracts should include your name, affiliation, email address, the title of your proposed paper, and a short bio (100 words max).

Dystopia, The Hunger Games, And the Culture of Death
Organization: SAMLA, Myrna Santos
Dates: November 4–6, 2016

Description:
“The word utopia, coined by St. Thomas More, seems to be a Latin pun: It is used in the sense of eu-topia, a “good place” or “ideal society,” which More claimed was his intended sense, but the spelling of u-topia means “nowhere” and is often taken to suggest that eutopia is impossible, as well as, nonexistent. More’s term eventually suggested a more practical word, dystopia, and speculative fiction has benefited from this concept over the course of many years. Young adult literature, and films based on this literature, has particularly embraced this concept, and this panel seeks to explore the reasons for this phenomenon. Papers on trilogies such as The Hunger Games and Divergent, as well as other works, are welcome.”

Deadline: June 6, 2016

Instructions:

Flow 2016 Conference on Television and New Media
Organization: Flow 2016
Dates: September 15–17, 2016
Location: Austin, Texas

Description:
“The 2016 Flow Conference will feature a series of roundtables, each organized around a discussion question on contemporary issues in television and new media culture and scholarship. Respondents are asked to submit a brief (150-word) abstract addressing one of the Flow 2016 roundtable questions.”

Deadline: May 20, 2016, 5 p.m. (CST)

Instructions:
  • Submit a brief (150 words) abstract addressing one one of the Flow 2016 roundtable questions, using the online form on their website (above)
  • Participants are encouraged to let the conference coordinators know if they are willing to participate in another roundtable if their first choice has too many responses
  • Upon acceptance, respondents will be asked to expand their abstract to a 600–800-word position paper, due late August 2016
  • Direct any questions/concerns to: flowconference2016@gmail.com
And don’t forget to check out this year’s ChLA conference, hosted by The Ohio State University, on the theme of “Animation”: our very own Dr. Jerry Griswold appeared on the topic list and Gene Luen Yang will be a featured speaker!

http://www.childlitassn.org/index.php?option=com_mc&view=mc&mcid=72&eventId=435346&orgId=chla


Good luck, everyone, on upcoming finals, final papers, and submissions for this year's conferences and calls for papers! 

Sunday, November 15, 2015

Call for Papers and Upcoming Children's Literature Conferences

Whether you’re knee-deep or neck-deep in final projects or outlining your final papers during this busy semester, there’s always time for some literary scholarship (says the graduate student currently neck-deep in all things literature). To make things a little easier, we’ve gathered a list of future conference proposals and calls-for-papers that includes children’s literature topics. 



The Children’s Literature Society and the American Literature Association

Event: 27th Annual Conference
Dates: May 26-29, 2016
Location: The Hyatt Regency, San Francisco

Panel 1: Children’s Literature Adaptations: Musicals (both theatrical and film).

Children’s literature has had a long history of adaptation transformations—from early Shirley Temple films to comic books and most recently to musicals; e.g., Shrek, Wicked, Once Upon A Mattress, Little Mermaid, Cinderella, Beauty and the Beast, Aladdin, The Jungle Book, Tarzan, Wizard of Oz/The Wiz, Hansel and Gretel, Into the Woods, Annie. This panel explores the ways musical adaptations of children’s texts change the original tale and are revelatory of changes in social/cultural considerations that include the changing dynamic of the construction of childhood, adults, and family.

Instructions:
  • Please include academic rank and affiliation, as well as AV requests.
  • Send abstracts or proposals (~300 words) by January 15, 2016 via email to: Dorothy Clark (dorothy.g.clark@csun.edu) and Linda Salem (lsalem@mail.sdsu.edu)
Panel 2: Children’s Literature Adaptations—Part 2: Digital Transformations—From TV and Film to New Media

New media has entered the world of children’s literature adaptation in stunning ways. From video games to tablet and smartphone apps to YouTube videos and more, “story” is finding new formats and “reading” has gone from a passive immersive experience to a more interactive one. Multimodal storytelling—unique meshing of “old” media (e.g., print text, TV, film) with “new” media are transforming our understanding of adaptation, creating new formats, genres. This panel explores this new world of children’s literature adaptation, including a bit of the “old world” of media (print/television/film) as it also transforms to adapt to new media. In reflecting on this new world of adaptation, consider for example: What happens to the original story? How is narrative changing? What is the role of reader/writer? Does this new domain reflect changes in social-cultural understandings of childhood, adult, family?

Instructions:
  • Please include academic rank and affiliation, as well as AV requests.
  • Send abstracts or proposals (~250 words) by January 10, 2016 via email to: Dorothy Clark (Dorothy.g.clark@csun.edu) and Linda Salem (lsalem@mail.sdsu.edu)
Panel 3: “Humor and Children’s Literature”—Abstracts (300 words maximum) are encouraged on subjects addressing any aspect of humor in relation to children’s literature by an American author. Panel sponsored by the American Humor Studies Association and the Children’s Literature Society.

Instructions:
  • Please include academic rank and affiliation, as well as AV requests. 
  • Send abstracts or proposals (~300 words) by January 10, 2016 via email to: Dorothy Clark (Dorothy.g.clark@csun.edu), Linda Salem (lsalem@mail.sdsu.edu), and Jim Caron (caron@hawaii.edu) with the subject line: “AHSA/CLS session, 2016 ALA.” 
For further information, please consult the ALA conference website at www.alaconf.org or contact the conference director, Professor Alfred Bendixen at ab23@princeton.edu with specific questions. 

~ ~ ~ 

CFP: The Intersection of Cartoons, Animation, and Youth Media: A Special Issue of Children’s Literature Association Quarterly
Description:
“In connection with the upcoming 2016 ChLA conference on Animation, this special issue of ChLAQ will focus broadly and widely on the multimodal and ever-expanding medium known as youth animation. From children’s cartoon shorts such as Steamboat Willy (1928) and Leon Schlesinger’s Loony Tunes (1930–1969); to full-length animation motion pictures such as the work of Studio Ghibli, Pixar, and Nickelodeon; to Homestar Runner, video games, and flip books, if it’s sequential art pit into motion, it’s on the table for discussion.”

Deadline: November 1, 2016 
Website: http://call-for-papers.sas.upenn.edu/node/61774

Instructions:
  • Papers should conform to the usual style of ChLAQ and be between 5,000–7,000 words in length. 
  • Queries and completed essays should be sent to Joseph Michael Sommers via email at somme1jm@cmich.edu with a re: line indicating “ChLAQ Essay) 
Notes: The selected articles will appear in ChLAQ in 2017. 


CFP: Reimagining the Child: Next Steps in the Study of Childhood(s)
Dates: April 22–23, 2016
Location: Camden, New Jersey

Description: Hosted by the Rutgers University – Camden Graduate Student Organization in Childhood Studies.
“The goal of this year’s graduate student conference is to bring together graduate students and other early-career scholars whose work represents a contribution to expanding academic understandings of and approaches to children and childhood. Topics of interest include, but are not limited to: theorizations and discourses of childhood; representations of children in media; relationships between children and technology; considering children in approaches to human rights, ethics, and morality; children’s culture(s); children as social agents; etc.”

Deadline: December 20, 2015
Instructions:
  • Send an abstract (~300 words) to the conference chair, Julian Burton, via email at Julian.burton@rutgers.edu. Include the words “conference abstract” in the subject line. 
  • Please include your name, current level of study, and affiliated institution in the body of your email. 
  • Attach your abstract as a separate document containing no personally identifying information. 
Website:

Good luck to everyone, on submissions, upcoming finals, and final papers!